“Do
you use an outline when you write?”
Every
time I’ve gone to a writing seminar I hear this question, which puzzles me
because I don’t believe it’s what the asker really wants to know. What is really
being asked is if writers should use some system to structure their work,
whether it’s an outline, software, poster board with index cards, or any other method.
I asked several authors,
including my co-WinRs, if and how they organize their writing.
Madeline
Gornell doesn’t outline or use any formal system beyond a character list. “I
‘wing it,’ develop, build, and go back to fill in as I go.”
Andrea
Hurst, author of The Guestbook, Always With You, and the
soon-to-be-released Tea and Comfort
(in addition to several works of non-fiction), varies her approach with each
novel according to what she feels is needed.
“On my first book I knew the beginning and the end and did deep
character and setting work. On my second book I knew only the very beginning
and end and it just poured out. On my third and current book, I have outlined
in detail the scene points and overall plot ahead of time and it seems to work
well.”
Gayle
Bartos Pool favors some organizing techniques, but adapts them to each project.
“I have used an outline before and it worked fine, but I usually just write as
I go. I do maintain a timeline to keep the action straight and it keeps the
characters from bumping into each other unless I want them to do that. And I do
write biographies for my main characters.”
Bonnie
Schroeder works with ‘The Snowflake System’. Although she didn’t purchase the
software, she follows the general approach. “You start with the germ of an idea
and gradually flesh it out through several iterations, including detailed
chapter and character summaries. The most valuable thing I got from this was
the ‘Scene Spreadsheet’, which has really helped me see where everything
happens and where there’s no conflict, etc.” For more details, go to: www.advancedfictionwriting.com/articles/snowflake-method/
Rowena
Williamson juggles two historical fiction series – Castle Caorann and Ryan and
the Redhead – and is working on a sequel to her popular YA book, Escape To The Highlands. Despite her substantial
workload, Rowena doesn’t use any system. “I can’t really plot without getting
feedback from my characters.”
“I
outline my stories in my head and I always know where I’m going,” said Audrey
Mackaman, author of two YA fiction series, Murder
Most Magic and The Dream Cycle.
Jacqueline Vick always uses an outline. “With a mystery, there is too much backtracking to
clean up clues etc. without one. And it's too easy to go off on tangents and
get away from the plot.” She begins by taking notes and making up a style sheet
– a quick reference tool for things she always needs to look up. “It helps keep track of names, places,
grammar problems that pop up for me personally, hard to spell words, etc.”
Although this system has worked for her in the past, she is currently trying
out Scrivener software. “I'm going to give that a shot with the next mystery I
write. It's gotten good reviews!” For
more information about Scrivener, go to www.literatureandlatte.com/scrivener.php
“I think it's very individual, this writing process,” said Heather Ames, whose
publications include the romantic suspense All That Glitters, contemporary romance The Sweetest Song and Indelible,
the first in her mystery/suspense series. She tried
using an outline to give her writing group an idea of where Swift Justice (the sequel to Indelible) was going, but the story
strayed in another direction. “I've never
used any of the writing programs. I'm a freewheeler.”
What
about me? I began writing my first novel with the idea of seeing if I could do
it. I had no plan or outline, just a character, an incident, and a vague sense
of the plot. I’m pleased with it now, but it took over a decade to finish. I’ve
often thought outlines would speed up the writing process and now begin each
book with a synopsis of the story, but I rarely stick to it. I rebel against
micromanagement, even self-imposed. My second novel took only four years to
complete, so I guess I’m getting faster.
From
this small sampling, it appears there is no consensus. Some writers deem
systems necessary to keep them on track. Others find them inhibiting; they
prefer to let the story flow. Many hybridize the process; they use timelines
and biographies to keep the details straight, or work with a beginning and an
end, and let their creative instincts fill in the rest. And a few do whatever
they find works best for a particular project. Maybe that’s what draws us to
writing stories that appeal to us. We prefer having the freedom to follow our
muse and only use organizational tools if we need help with our characters or
plotting. Or as Rowena Williamson put it, “I couldn’t hold to a book-a-year
schedule. My books would go downhill if I did that.”
